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Women of Rubies

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Pollyanna Rodrigues De La Rosa sat in the back of a cab, on her way to her favourite Toronto Latin music club, El Rancho. To get herself in the mood for a Saturday night of salsa, bachata and reggaeton, she asked the driver for the auxiliary cord to play “Eres Mia” by Romeo Santos from her phone. The music filled the cab and she sang along, the lyrics flowing smoothly off her tongue in Spanish, the language she speaks at home with her family. The driver raised his voice over the music and asked Rodrigues De La Rosa about her background—but her answer wasn’t what he was expecting.

“I thought you were Black!” he said. Rodrigues De La Rosa, who is part Cuban and part Panamanian, is used to this type of reaction. She stands at just over five feet tall, with big, long, black curly hair. Her dark skin matches her brown eyes, and if you saw her on the street you’d probably have no doubts about her racial identity, either.

But what the cab driver didn’t understand was that while she is indeed Black, she is also Latina. To be fair, Rodrigues De La Rosa didn’t always understand the nuances of her racial identity, either. “For the longest time, I actually didn’t know I was Black,” she says. That’s because, growing up, her family considered themselves Latino.

Though they shared the same skin tone and hair texture, her family never talked about their African heritage—in fact, they preferred to pretend it didn’t exist. Rodrigues De La Rosa’s mother even pressed her about her romantic choices, questioning why she dated Black men instead of white men. And the anti-Black racism was present in her extended family, too. When she visited Cuba in 2015, many of her family members would ask her to straighten her hair for a “better” look.

Between her family’s Latino identity and the anti-Black rhetoric she internalized, Rodrigues De La Rosa questioned whether or not she identified as Black.

Then, in 2015, she discovered a term on social media that she truly felt described her: Afro-Latina. The broad definition is simple—someone who identifies as Afro-Latina, Afro-Latino or the more inclusive and gender-neutral Afro-Latinx is Black and from Latin America. But the term’s meaning is much more political.

In these communities, which have a deep history of anti-Black racism, Afro-Latinx refers to “someone [from the Latino community] who reclaims their Africanness and Blackness, which for so many years was erased,” explains Colombian-Canadian academic Andrea Vásquez Jiménez, the co-director of the Latinx, Afro-Latin-America, Abya Yala Education Network (LAEN). “Utilizing terms such as Hispanic erases our Blackness.”

While Rodrigues De La Rosa may have felt like she stood out among her peers, she is actually part of a large cultural community. A quarter of the Hispanic population in the U.S. identifies as Afro-Latino according to a 2014 study. (Similar data is not available in Canada in part because though the census includes Black and Latin American as visible minority categories, there is no category combining the two identities. Respondents can write in their own classification, or mark all the categories that apply, but the data is counted towards the Black and Latin American categories separately.)

“I get looked at all the time when I start speaking Spanish. It’s still a culture shock, especially to old farts. I quickly let them know that there are Black people in [Cuba and Panama],” says Rodrigues De La Rosa, adding that people often seem to think that it’s impossible to be both Black and a Spanish-speaking Latina.

“When I heard the term Afro-Latina, as sad as this is going to sound, it was the first time I thought I was considered Black,” says Rodrigues De La Rosa. “I loved it.”

Unlearning anti-Black racism as an Afro-Latina

People like Rodrigues De La Rosa are why Vásquez Jiménez started LAEN. She made sure the organization was a space for Afro-Latinx people to not only have a voice, but learn about their heritage.

“Blackness is global. An extremely high percentage of [people from Latin America] have African ancestry. The identities of Blackness, Africanness and being Latinx are not mutually exclusive,” says Vásquez Jiménez.

The African diaspora originated with the transatlantic slave trade, when European colonizers dispersed millions of people from Africa to North America, South America and the Caribbean. And regardless of where slaves were taken, sexual violence was common. “This is the most f-cked up part, I don’t know if my Spanish ancestor loved my great-great-great-grandma or raped her,” says Rodrigues De La Rosa.

The intersectionality of Afro-Latinx people can get even more complex, especially for people like CityNews reporter Ginella Massa, who wears a hijab and is from Panama.

“Often, in the realm of my work, my Muslim identity is discussed; my ethnicity or my heritage are rarely ever mentioned,” says Massa. When she made headlines in 2016 for being the first hijabi news anchor, the coverage described her as a Muslim Canadian, but the Afro-Latinx aspect of her identity took a back seat.

journalists self-care twitter: A portrait of Ginella Massa.

CityNews reporter Ginella Massa

Even within Canadian Afro-Latinx communities, positive discussions about embracing all aspects of this intersectional identity are rare.

“Because of anti-Black racism, many folks don’t necessarily speak nor highlight our Blackness within families,” says Vásquez Jiménez.

That’s especially true among older generations of Afro-Latinx people, who have internalized centuries of institutionalized anti-Black racism. Massa says her family’s Blackness was rarely discussed at home. Her family only focused on their Latin heritage.

 

Credit: flare.com

Born in Seoul, Choi was partially inspired by her thesis collection at Parsons, where she made heavy use of stripes based on her love for architecture and her Korean heritage. The collection is now available at Adidas flagship locations and select retail partners, including Dover Street Market, Net-A-Porter, Barney’s, Nordstrom, KITH and Urban Outfitters.

Teen Vogue spoke with the designer about the inspiration behind the collection and her advice for upcoming designers.

Teen Vogue: What was the inspiration behind this collection?

Ji Won Choi: It was very much a coming together of my aesthetic, which draws from the architectural shapes of Korean garments and classic Adidas motifs. It was meant to be inspired by my work at Parsons. My thesis collection used the concept of a stripe as the starting point for each garment and incorporated a repeated stripe motif throughout. What could be more natural than evolving this into the iconic Adidas three stripes?

TV: What does the opportunity to design for Adidas mean to you?

JWC: I’m honestly still processing it. It means that my work, which can tend to be more on the niche end, has this massive global platform and a bigger audience than I ever thought would be possible. Anywhere in the world, if someone sees the three stripes, they know exactly what they stand for. It’s an amazing family to be a part of.

Meet Ji Won Choi The Designer Behind Adidas Newest Cozy Collection
Courtesy of Ji Won Choi

TV: How do you want people to feel when they put on your clothes?

JWC: Strong and confident! Expressive, but with ease.

TV: The clothing was showcased in a colorful 3-D maze with models walking up and down the staircases. How did this imagery tie into your collection?

JWC: It was important to me that we incorporate movement into the presentation since that’s a big part of the inspiration behind this collection and all of my work. I knew the presentation couldn’t be static. I really wanted to celebrate individuality and have a diverse group of women representing the collection at the presentation. The end result was beyond imagination — the set designer Ben Cullen Williams brought our vision to life in an incredible way.

Meet Ji Won Choi The Designer Behind Adidas Newest Cozy Collection
Courtesy of Ji Won Choi

TV: Any advice for young designers looking to get their feet wet in the industry?

JWC: My biggest advice for young designers is to have a very clear point of view and defined design aesthetic. Your design aesthetic can always evolve, but when you’re just starting out, it’s very important to have a clear sense of who you are and who you are as a brand.

 

Naomi Elizée is the fashion market assistant at Vogue and a Teen Vogue contributor. This interview has been edited and condensed.

 

Culled from Teen Vogue

Liberal MP Celina Caesar-Chavannes kicked off Black History Month by writing a touching love letter to Black women.

“Even though we may have been distant, and I may seem far away, I love you and #ISeeYou,” Caesar-Chavannes writes in a HuffPost blog.

She starts the letter by admitting she hasn’t always been able to support her community the way she’s wanted — depression, anxiety and life have gotten in the way — but she wanted to thank those who held it down when she wasn’t able to.

The MP for Whitby, Ont. has been vocal about her challenges with mental illness in the past and went viral last year after giving a speech on body-shaming in the House of Commons.

“Body shaming of any woman in any form from the top of her head to the soles of her feet is wrong, irrespective of her hairstyle, the size of her thighs, the size of her hips, the size of her baby bump, the size of her breasts or the size of her lips, what makes us different is what makes us unique and beautiful,” she said last October.

And while Caesar-Chavannes touches on that theme again in her HuffPost essay, her focus in this letter is celebrating Black women and recognizing what they’re up against. She gives a shout-out to elders, entrepreneurs, activists and educators. Most heartbreaking was a reminder of what Black children face—“the streets, and the institutions that keep them down and funnel them into prisons and foster care”—and how much needs to change, as she lauds mothers for protecting their kids.

She ends off her note recognizing the toll it can take to be “twice as good”  and with a nod to Maya Angelou.

“Being twice as good, twice as fast, twice as everything, because that is what we were taught. That is the only way we can succeed. I also see that it comes at a cost. The wear and tear. The exhaustion. The mental drain. I see that you are tired. And yet, still you rise.”

You can read the full letter at Huffington Post Canada.

 

Credit: flare.com

The one thing I hear women complain about in their relationships is the level of emotional labor that they render to their partners that is often never reciprocated. I have wondered why women were the ones who seemed to be plagued by these one-sided relationships until I came to a realization that women might be the ones guilty of enabling this behavior in their partners.

 

Lolo Cynthia Is a public health specialist, sexuality educator and founder of the social enterprise LoloTalks, that employs all forms of media (online and offline) to create awareness and sustainable solutions to our contemporary social and health issues in Africa.  She also doubles as a documentary and talk show producer and lends her voice on issues regarding interpersonal relationships, sexuality, gender, and social issues through her YouTube channel LoloTalks and her blog.

The series, which is set for filming later this year, will be Netflix’s second original series from South Africa.

Dumisa will be working on the series along with her production team who worked on the award-winning Nommer 37.

Daryn Joshua and Travis Taute will write and co-direct with Dumisa, while Bradley JoshuaBenjamin Overmeyer and Simon Beesley join as producers and lead editor respectively.

Blood & Water is a teen-led drama which follows a local teen uncovering her family’s secret past and navigating the complicated world of a South African high school.

“Gambit Films and I are so excited to be working with Netflix on this explosive young adult drama, with not only a cool look at strong female leads but also a powerful mystery at its core,” Nosipho explains in a statement.

“As a director who loves genre, this series combines the best of so many and isn’t shy to delve into the real issues of youth culture, whilst jam-packing it with twists that will keep viewers guessing.”

Reacting to the partnership, Netflix’s Vice President of International Originals, Europe, Turkey and Africa, Kelly Luegenbiehl described Netflix’s investment in Blood & Water as the “next step in our further investment in original African content and we’re excited to explore more projects across the region.”

The series is due to start production in 2019 and is expected to launch globally in 190 countries in 2020.

 

 

Credit: Bella Naija

Titilola Vivour Adeniyi is a Legal Practitioner with over nine years of experience in Public Service. Having served in various capacities in the Lagos State government, in 2014, she was appointed the Pioneer Coordinator of the Lagos State Domestic and Sexual Violence Response Team (DSVRT). Since her appointment, she has facilitated the ratification of two landmark executive orders by the Governor of Lagos State- the Sex Offenders Register and Mandated Reporting, and the Lagos State Safeguarding and Child Protection Programme.

Additionally, she was actively involved in drafting of Policy Documents and Manuals on Investigating and Prosecuting domestic violence, mandated reporters manual, safeguarding the rights of a child, and other awareness process documents on handling of child abuse, domestic violence and rape which have been useful in creating awareness and sensitizing members of the public.

Driven by being able to make a positive impact on lives, she speaks on the Domestic Awareness Month (DAM), the body’s upcoming domestic violence awareness symposium this month and how to seek help.

Why was the month of September declared Domestic Awareness Month (DAM)?
Asides from the need to designate a special month in which we drive special awareness on this topic, DSVRT was actually established in September, on the 9th of September, 2014 to be precise. We are grateful to the Governor of Lagos State, Akinwunmi Ambode for approving the designation of the month of September as the Lagos State Domestic and Sexual Violence Awareness Month.

Would you say there has been any impact on domestic violence so far from the yearly symbolic walk held by the state governor?
Oh most definitely. There is greater awareness, people are more aware of support services available; they are better informed of steps to take to report cases. Some people say, ‘you people are always walking when would you stop?’ We would not stop walking, because we know there are millions of residents who still don’t know about the different services available and do not know that we are ready to stand by them. Similarly, we have continued to see an increase in reporting made by good Samaritans, mandated reporters, whistleblowers, who would before now, turned a blind eye, but are now rising up to their roles as effective bystanders and speaking on behalf of the most vulnerable in our society. We must never underestimate the impact of political will, when an entire state’s leadership embarks on a mission and passes a strong message, this message subconsciously begins to reside in the minds of the populace that we mean business on this issue of fighting Domestic Violence.

According to statistics released by your office and the Commissioner of Justice, DV is on the increase, with numbers already doubling that of last year. Why this surge?
The truth is that we are now witnessing a rapid increase in rate of reporting, and not necessarily that acts of domestic violence and sexual assault have increased that significantly. We need to appreciate that the concerted effort on advocacy, not just by DSVRT by the way, but also by NGOs, some celebrities who have consciously used their platform to speak up, setting up of a special court for quick dispensation of Justice, and then all of these backed up by the strong political will power displayed by the state Governor. All of these efforts have contributed to a situation where people are now more encouraged to come out of their shell and speak up. From our end, several initiatives we embarked on are now bearing fruits by virtue of increased reporting. We have introduced different channels for reporting. By leveraging on technology, we launched the *6820# USSD application, with support from MTN and Airtel. We have also improved our social media presence. A good demographic of our population is the youth; it therefore became imperative that our message is easily accessible for our different target audience. This has also informed our increased presence on social media and so asides from our hotline, and people that come into the office, we have increased access to justice channels hence the increase in reported cases.

Does these figures discourage you in any way?
I am far from discouraged; in fact I am optimistic that we are slowly breaking the silence that has for so long allowed these vices to perpetuate. Sexual and Gender Based Violence remains one of the most underreported crimes all around the world. In the past three years, we have seen a steady increase in reporting of cases. This year, we have started to see an average of 150 new cases monthly. We know that we are just scratching the surface. But with visible political will, cooperation of the society, and improved professionalism in the handling of these cases, we know we are well on our way to ridding this menace out of our society.

What new approach are you employing in actively fighting DSGBV?
We are tackling the issues from a holistic and more sustainable perspective. Partnering with marriage registries, health centres where we are able to reduce the chances of cases occurring by sensitising new couples, as opposed to counselling and responding to cases when the deed has been done. As regards children, we are infusing child-friendly awareness content into the school curriculum so that they are aware of their rights and those rights are properly safeguarded.

What are signs to look out for in reporting DSGBV cases?
Working out whether one is in an abusive relationship or whether abuse has occurred is not always easy. For Domestic Violence, some signs to be wary of include Possessiveness, checking on you all the time to see where you are, what you are doing, who you are with, tries to control where you go, and who you can see and gets angry if you don’t do what they say. Jealousy- when a potentially abusive partner accuses you of being unfaithful or flirting without any basis or evidence. Segregation- Isolates you from family and friends, often by rude behaviour. Issues threats, Put downs, either publicly or privately by attacking one’s intelligence, looks, mental health or capabilities. Constantly comparing you unfavourably with others. Blames you for all the problems in the relationship, and for the times they are out of control or violent. Whilst for Child Abuse some red flags to look out for in cases of physical abuse, questionable, recurring bruises or fractures, bite marks. For Neglect, persistent hunger, stealing or hoarding of food, abrupt, dramatic weight change, persistent poor hygiene, excessive school absences. For Sexual Abuse, age-inappropriate knowledge of sexual behaviour, unexplained fear of a person or place, unexplained itching, pain, bruising or bleeding in the genital area, venereal disease, frequent urinary or yeast infections.

Did you always know you would end up a crusader for women and children’s rights?
I have always believed public service, and public administration is one of the greatest vehicles for addressing inequality, justice and sustainable development. This is why I never take for granted the opportunity given to me to serve and make an impact.

What would you say have been your greatest achievements so far heading the DSVRT?
DSVRT was set up four years ago as the first of its kind in Nigeria. The fact that the Federal Capital Territory has replicated the DSVRT model and eight more states are toeing the same path, is proof that we are on the right track to providing a sustainable solution to a problem that has spanned decades or I dare say centuries in our country. This for me is our greatest achievement so far, seeing the success attained being replicated across the country and one day hopefully the multiplier effect spans across every part of Nigeria.

Have there been any experience(s) that made you want to give up?
When we first started, there was a lot of resistance by the society, and sometimes even from survivors themselves who are being pressured to drop a case(s). The fact that we were up against a cultural and mindset obstacle was initially frustrating and draining, however, it helped us redefine our approach and that has even taken us to dimensions we had not conceived when we initially started.

 

 

Credit: Guardian Woman

In recent times, particularly in 2018, there has been a stronger movement in favour of empowering women in the film industry. From gender pay gap uprisings with the highest paid actresses in the Hollywood demanding the same pay as men in equivalent roles, to sexual harassment claims which gave birth to the #MeToo movement, there are many areas in the industry addressing the need to empower its women. Some of these issues were harder to address in the past as even top actresses needed the work, and with fewer leading lady roles decided to stay silent until much later after any grievances they may have faced. Today, Anita Kouassigan shares her view that there is a need to invest in more women screenwriters and directors.

In this day and age, with the many digital distractions we face by overusing our mobile phones, I firmly believe that film – more than ever – will remain the most effective medium for catching – and keeping – one’s attention when a story is being told. There’s nothing that focuses my mind more than escaping into a movie -at least a decent one, with an engaging story. And the use of film as a tool for storytelling and engagement is a major part of our March event as with all our events.

“There will be screenings of short clips showcasing the messages our sponsors and partners want to deliver. It could be an internally produced documentary that contains footage of a school that’s just been built. Or a view of the first hospital commissioned in a rural area. Or interviews of a victim who’s able to tell their story after being freed from some form of bondage.

Women can certainly become more empowered with an increase in films created to tell even the most uncomfortable stories about their struggles, and this includes documentaries, such as The Uncondemned, possibly one of the most uncomfortable yet. It is a film about the first conviction of rape as a war crime and component of genocide (directed by Michele Mitchell and Nick Louvel-now late, sadly). They worked together as a great team, and I am not suggesting we have films made by women alone, we just need more input from women, which means that there is a need to invest in women in film. Women in film need more funding, in their various roles, including on set, but especially when it comes to screenwriting and directing.

Let us consider the argument in favour of more women having a seat at the table (in boardrooms) and the need for women to play more important roles in the decision-making process of a country (women in law and politics). Those arguments are from the same underlying principle of the need for women to have a voice.

Similarly, in film, more women need to partake in the story-telling process and in directing films, as that is what will ultimately determine how a story comes across. It’s an ongoing reality that not enough scripts are being written by women (perhaps they need more of an incentive?), and men cannot entirely understand the feminine experience. I am not saying we should leave men out; we just need more of a feminine input.

Oftentimes, not enough lines or screen time are dedicated to female roles to humanise a character and one of the most negative aspects still ongoing in the film industry is the objectification of women. It’s still common for female characters to be ridden with clichés and in order to really sell a movie, women may have to appear sexy in order to be viewed as powerful. Why does a woman have to be sexy to be powerful? Why can’t she just be smart and influential in order to be powerful?

Maggie Gyllenhaal recently remarked in an interview that the use of sex in films is used as a tool for female roles to capture the attention of the audience, then they’ll be heard. On screen, women are oftentimes treated as accessories expected to look beautiful, glamorous and extravagant. The key is finding ways to make filmmaking more progressive, giving more dimension to female characters and their stories.

Scripts are often written by men, and while I am not suggesting that male screenwriters set out demean women, they naturally lack certain knowledge that only a woman can have about the certain women-centric issues being addressed. On the other side of what’s deemed as entertaining, there’s the portrayal of bitchy or evil (both with negative connotations), far from empowering.

But things are changing – including in Nigeria. Isoken, directed by Jade Osiberu is a film that has pushed boundaries in terms of the story itself and the way the lead actress (Dakore Egbuson-Akande) depicts her role. She does so in an empowered expression of the issues and choices she’s facing, subjects that are normally deemed as taboo and that cause people (both men and women) to even disrespect a woman in Isoken’s position. But there is still a funding gap for films written and directed by women, and actress-turned-director is still a harder promotion, compared with the case of men.

 

 

Credit: Anita Kouassigan, Guardian Woman

Few years ago, actress Foluke Daramola-Salako, revealed she was raped when she was much younger. In a new interview with Punch, the actress recounted how the experience made her become a better mother to her own daughter.

“I always enlighten my daughter about how some men can be when it comes to sex. Even when I am not around her, she always cautions men when they try to touch her in a way she is not comfortable with.  She tells me when she feels harassed by a man. She is out of the country at the moment, and people always call me to ask me how I trained her.

“In my days as a young woman, I couldn’t discuss sex with my mum. Even till now, I still cannot do that because of the orientation I had as a young girl. If my daughter should get deflowered today, she will tell me because we are friends. I started discussing sex education with my daughter when she was six. I didn’t feel it was too early because she had a rapid growth.

“I was raped by my tenant because he thought I was older than my actual age. I am comfortable with my daughter being around men because I have educated her,” she said.

Foluke went on to say that the Federal government needs to enact a law whereby rapists are killed once convicted.

“I believe the government should pass a law against rape; rapists should be killed when they are caught. I don’t call myself a rape victim, but a rape victor.  Rape victims become a shadow of themselves; they have no form of self-esteem, some of them even take their lives. When it happened to me, I thank God I had friends who helped me recover fast. “When I came out to say it, people were shocked, but I am happy that after my interview, people started coming out to talk about their experience. It has been happening; it is just that people don’t talk about it. An abuser is always a product of an abuse. I’ll advise parents to always pay attention to their children and listen to them,” she said

 

Credit: LIB

Kim Kardashian and Kanye West‘s daughter North West has landed her very first solo magazine cover, at age 5.

The cover is for WWD and the issue explores Generation Z and Generation Alpha, and their impact on the global beauty industry.

Talking about the cover, the magazine says:

She embodies the upcoming youthquake, having captivated the digital realm with her cross-generational appeal. Without a public Instagram or YouTube channel of her own, she’s too young to fully understand what a digital footprint is. And yet, hers is already wildly popular.

See the cover below.

For more of North, visit WWD.com.

 

Credit: Bella Naija

Adebukola Plumptre is a voice over talent and vlogger. A graduate of Mass Communication from the prestigious University of Lagos where she majored in Advertising& Public relations. She has worked in various capacities such as sales&marketing, business development, media, advertising, experiential marketing & events as well as in administration.

Her foray into vlogging and voice over artistry was borne out of her desire to use her voice in the media space and be positively impacting. Her Instagram handle @bukkysho1 features her vlogs which centre on parenting, self love, career, and body image issues. Her #wcw is a platform for supporting women in business and #dearvoiceovertalent provides useful information to aspiring and established Voice Over Talents.

She is a proud alumni of Voice Over Academy where she received her Pro Voice Over training. Her happiest moments are recording in the studio and playing with her son Nolan.

Childhood Influence
Yes, I had parents who encouraged us to be anything we wanted to be. To be whatever we set our minds to do. I had always enjoyed watching the news especially News Line with Frank Olize and CNN Style with Elsa Clench as well as documentaries. These were bonding experiences with my father.

Meet Me!
I am lover of words, I have always loved to talk and enjoy mind stimulating conversations. I was an Art Student in High School, I enjoyed taking Literature In English and Government & Politics. I studied Mass Communication at the University of Lagos where I majored in Advertising& Public Relations. I was a news reporter and sales executive for the school paper, Unilag Sun.

Inspiration behind passion for Voice Talents
Daily making use of my God given talent. Ensuring my voice is heard in the media space. If I am to lend my voice to causes I am passionate about then this is my springboard to do so.

Leaving my high earned job for Vlogging and voice over
After I had my son, I wanted to be a more present and involved parent. Having him challenged me to follow my passion. After gaining experience in the private sector it was time to focus on more personal pursuits and what I as an individual wanted to do with the rest of my life. I had to ensure it would be more memorable and satisfying.

Challenges
Perfection is the watch word of this profession. The work is never done until the sound engineer is satisfied with your delivery of the script, your tone, your pitch or inflections. The client gives the final word of your artistic efforts. In most cases you will redo entire take at the studio if they are unsatisfied. It is long and time consuming but these checks are necessary for a great output.

Other Projects & Activities
There are causes I am passionate about and lend my voice to them primarily on social media. I document my journey as a new mother and voice over talent on my Vlogs primarily on Facebook and Instagram. I also write letters “Dear Voice Over Talent” on Instagram to discuss my ongoing voice over journey and to encourage colleagues and aspiring persons who want to excel in this field. I also enjoy supporting other business women like myself on the platform “Woman Crush Wednesday”. These are businesses where I’ve experienced great customer service experience and also want others to do same.

Greatest reward
Positive feedback and engagement either in person or on social media. I’ve had a voice over talent from Egypt connect with me. Also, a young lady who wanted to start her voice over career. Even constructive criticism from seasoned voice over talents. It makes it all worth the effort.

On recognition of voice Over artistes in Nigeria
I believe it’s imperative to ensure you get the recognition you deserve in whatever career you find yourself. If you don’t blow your own trumpet, who will? When you have drive and are self motivated you will get the recognition you deserve. It’s a small, close knit circle of practioners and mostly advertising agencies tend to know us on a professional basis. However, our celebrity status is celebrated by our own. We are yet to reach the same status as entertainers or film actors.

What next?
To continue to deliver exceptional work and create memorable experiences. I am media girl at heart and will also pursue other creative expressions on TV, Radio and New Media.

Who and what inspire me to be better
My son Nolan and all women breaking barriers and stereotypes daily.

Being a woman of Rubies
I am a woman of rubies because I sparkle and I shine. I shine this light wherever I go teaching, uplifting and inspiring others to be their very best. To never relent in their pursuit for growth and learning. I am a change agent, I am an influencer.

Advice for young women who want to go into my field
They should seek formal or professional training first. It is not enough to be told how well they speak or sound. There is an art and science to being a great voice over talent. They should leverage on the use of new media to market and promote themselves so that potential clients can find them and see their work in action.