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Ava DuVernay

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Ava DuVernay, the celebrated filmmaker behind works like “Selma” and When They See Us,” continues to make waves in the world of cinema. Her latest project, “Origin,” has not only generated immense buzz but has also marked a historic moment in film history. DuVernay’s presence at the Venice Film Festival shattered a long-standing barrier, making her the first African-American woman to have a film compete in the festival’s 80-year history, as reported by NBC News.

In a press conference held during the festival, DuVernay addressed the challenges that Black filmmakers often face when trying to enter their projects into prestigious film festivals. She shed light on the discouragement they encounter, being told that international audiences don’t care about their stories or films.

“For Black filmmakers, we’re told that people who love films in other parts of the world don’t care about our stories and don’t care about our films. This is something that we are often told: you cannot play international film festivals, no one will come,” DuVernay said candidly. “People will not come to the press conferences, people won’t come to the P&I screenings. They will not be interested in selling tickets. You might not even get into this festival, don’t apply.”

DuVernay went on to emphasize the significance of her groundbreaking achievement, saying, “I can’t tell you how many times I’ve been told, ‘Don’t apply to Venice, you won’t get in. It won’t happen.’ And this year, something happened that hadn’t happened in eight decades before an African American woman in competition. So now that’s a door open that I trust and hope the festival will keep open.”

The Venice Film Festival represents a historic milestone for DuVernay and paves the way for greater representation and recognition of Black voices in cinema on an international stage.

DuVernay’s commitment to her craft and her dedication to authentic storytelling were further emphasized during the press conference. She discussed her decision to keep “Origin” as an independent production after it initially began in the studio system.

“I don’t feel like we would have had the cast that we had if it had remained in the studio system,” DuVernay explained. “The studio system is a place where I worked and made projects that I’m proud of, but there is really an aspect of control over who plays what. And there is an idea about who makes money, attracts attention, and sometimes that sits at odds with who might be the best person for the part. Aunjanue Ellis-Taylor was the best person for this part.”

Aunjanue Ellis-Taylor’s casting in “Origin” exemplifies DuVernay’s commitment to ensuring that the right talent is chosen for the roles, irrespective of industry norms.

The independent film production and distribution company Neon acquired the worldwide rights to “Origin” on September 5, further solidifying the film’s journey to reach a global audience.

In addition to her groundbreaking film achievements, DuVernay has been making strides in diversifying the entertainment industry’s workforce. She recently announced a partnership between her ARRAY Crew database for film crew workers and the Impact professional network, creating the largest hiring network in the entertainment industry. This initiative seeks to foster greater inclusivity behind the scenes, ensuring that the industry reflects the diverse voices and talents it represents on screen.

Ava DuVernay’s journey continues to inspire and pave the way for greater representation and inclusivity in the world of cinema, making her a true trailblazer and visionary in the field. As she continues to break barriers, her impact on the film industry and society as a whole is undeniable.

Nigeria’s 2020 Oscar entry ‘LionHeart’ was disqualified on Monday November 4, for having too much English dialogue.

The movie which is Nigeria’s first-ever submission to the Academy Awards, was submitted for the international feature film Oscar category. The Academy’s description of an international feature film “is a feature-length motion picture (defined as over 40 minutes) produced outside the United States of America with a predominantly non-English dialogue track.”

LionHeart which is not excluded from entering other Oscar categories including consideration for best picture, has just under 12 minutes of dialogue that is in the Igbo language native to Southeastern Nigeria, while the remaining 94-minutes is in English. With the disqualification, the number of films in contention for the award has dropped from 93 to 92.

However reacting to the disqualification on Twitter, Genevieve Nnaji wrote;

 

 “This movie represents the way we speak as Nigerians. This includes English which acts as a bridge between the 500+ languages spoken in our country; thereby making us #OneNigeria.” She added, “It’s no different to how French connects communities in former French colonies. We did not choose who colonized us. As ever, this film and many like it, is proudly Nigerian.”

 

American filmmaker who directed the Netflix drama miniseries When They See Us, Ava DuVernay also reacted to the disqualification. She tweeted;

 

 “To @TheAcademy, You disqualified Nigeria’s first-ever submission for Best International Feature because its in English. But English is the official language of Nigeria. Are you barring this country from ever competing for an Oscar in its official language?”

 

LionHeart movie disqualified from Oscar consideration, Genevieve Nnaji and Ava DuVernay react

 

Credit:LIB

Oscar-nominated and Emmy-winning director, Ava DuVernay (Selma), has proven herself to be a true filmmaking force in Hollywood, and she’s been paying it forward by hiring women, especially black women, on her projects.

Her TV show, Queen Sugar has featured women in the director’s chair for every single season, and the fourth season will be no different. The directorial lineup will include Cheryl Dunye, Carmen Marrón, Numa Perrier, Heidi Saman, Tchaiko Omawale and Nigerian-American filmmaker, Bola Ogun.

Created by Duvernay and executive produced by Oprah Winfrey, Queen Sugar follows the life of three siblings, who move to Louisiana to claim an inheritance from their recently departed father — an 800-acre sugarcane farm.

While still up-and-coming, Ogun already has an impressive resumé. She created an award-winning short filmAre We Good Parents?, which premiered at SXSW, and she has worked in the production department of notable projects like The Dark Knight Rises and True Detective.

Bola Ogun has been using her lens to influence those who don’t often have a voice and collaborate with other creative minds to amplify fresh storytelling perspectives, and we are definitely going to be on the lookout for her episode(s) on Queen Sugar.

The fourth season of Queen Sugar will premiere on June 12, 2019.

(Photo: OWN/Queen Sugar)

 

Credit: konbini.com