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Mursi is a unique Surma tribe in Southern Sudan and the language they speak is also called Mursi.

When a Mursi girl becomes a teenager, she begins the process of lip stretching. The girl has her bottom teeth removed to make space for a lip plate, which is increased in size annually.

The plates are inserted into the lip causing it to stretch, and it is said that the larger the clay plate, the more the woman is worth before she gets married.

Mursi women only wear the plates for a short time because they are so heavy and uncomfortable.

The practice was first carried out to allegedly make them look ugly when Arab merchants continually raided their villages in search of slaves.

However, that explanation has been rejected as studies reveal that the plates are a symbol or expression of social status among the Mursi people.

The supposed historical link between lip-plates and the activities of slave traders is an idea that goes back to colonial times.

In an article in the September 1938 issue of National Geographic Magazine, C. and M. Thaw report meeting women with large plates in both their upper and lower lips near Fort Archambault, on the River Chari, about 400 miles southeast of Lake Chad, in what was then French Equatorial Africa:

“Here both the upper and lower lips of girl babies are pierced and small wooden plugs inserted into the holes. As they grow up, these holes are gradually increased in size until they reach the dimensions of large soup plates… This form of disfigurement was begun centuries ago to discourage slave raiders, the French Administrator told us. Why it didn’t discourage the young men of the tribe, as well, we will never know. (Thaw & Thaw 1938: 357)”

The use of lip-plates is neither peculiar to Africa nor to women. Amongst the Kayapo of Brazil, for example, senior men wear ‘a saucer-like disc some six centimetres across’ in the lower lip, according to Turner, 1980: 115.

“The lip-plug, which reaches such a large size among older men, is incontestably the most striking piece of Kayapo finery. Only males have their lips pierced.

Why girls of the Mursi tribe must remove their teeth and stretch their lips before they marryWhy girls of the Mursi tribe must remove their teeth and stretch their lips before they marry

“This happens soon after birth, but at first only a string of beads with a bit of shell is placed in their backwardness by outsiders and that it will help to prolong their exclusion from the economic and social benefit of incorporation into the Ethiopian state. In particular, it will be an obstacle to the education of girls. Here I should mention the recent activities of Protestant missionaries who, since 1989, have established themselves in the Mago Valley, where a group of Mursi had migrated a few years earlier because of drought.

“The missionaries have not, as far as I know, spoken out specifically against the lip-plate. But their converts, who are at present concentrated around

the mission station and may number in the region of 50 individuals, are likely to be at the forefront of efforts, coming from within the community itself, to abandon such ‘traditional’ practices and customs.”

The Mursi (or Mun as they refer to themselves) people are the most popular in Ethiopia’s Omo Valley. They are well known for their unique lip plates. Mursi are a Nilotic pastoralist ethnic group that inhabits southwestern Ethiopia.

They principally reside in the Debub Omo Zone of the Southern Nations, Nationalities, and People’s Region, close to the border with South Sudan.

According to the 2007 national census, there are 7,500 Mursi, 448 of whom live in urban areas; of the total number, 92.25% live in the Southern Nations, Nationalities, and People’s Region (SNNPR).

 

While the protests were ongoing, certain photographers caught some iconic moments which have since been popularized on social media.

EndSARS - Iconic Shots. [Twitter]
EndSARS – Iconic Shots. [Twitter]

On Sunday, October 11, 2020, the EndSARS protest peaked as Nigerians across the world unified their voices in fighting the scourge of police brutality. They were also supported by foreign figures like Drake, Lil Baby, Tion Wayne, Santan Dave and more.

While the protests were ongoing, certain photographers caught some iconic moments which have since been popularized on social media. For what they mean and in those moments, they exemplify the Nigerian need for freedom and our unified voices in the struggle to win.

Here are our favourite seven shots;

6.) Mr. Macaroni sleeping on the floor

Debo always loved a good protest and here, he is one of the few to propel these protests to this level.

EndSARS – Iconic Shots. [Twitter]

While this would have made sense as a victory parade, we will still take it. While checking the picture, play ‘F*ck the Police‘ by NWA.

5.) Wizkid with his fists in the air

EndSARS - Iconic Shots. [Twitter]EndSARS – Iconic Shots. [Twitter]
EndSARS - Iconic Shots. [Twitter]EndSARS – Iconic Shots. [Twitter]

According to Ogbeni Dipo, before Wizkid got to the Nigerian High Commission in London on October 11, 2020, it was a total chaos. His presence calmed things and his shots were taken.

4.) Standing on a mobile Police station while waving the Nigerian flag and an #EndSARS white flag on the same stick. He was also dressed like a skier. MAD!

EndSARS - Iconic Images. [Twiter]EndSARS – Iconic Images.

This represents loving Nigeria while striving for something greater, while also trampling on the police. On the stick he holds, the Nigerian flag is below a white #EndSARS flag. His fashion also embodies the struggle.

It is poetry in motion. Long live the Lekki toll gate blockage.

3.) Running for your life and still not having the police

EndSARS - Iconic Shots. [Twitter]EndSARS – Iconic Shots. [Twitter]

In Abuja, peaceful protesters had hot water sprayed on them. But in those moments, two beautiful women who were also protesting produced an iconic moment.

While running from the scene of the assault, someone captured the hot water they were trying to avoid. One of those girls then gave a middle finger to the police van while backing it. That is an amazing evidence of the struggle.

2.) Kiki Mordi

EndSARS - Iconic Shots. [Twitter]
EndSARS – Iconic Shots. [Twitter]

Kiki Mordi exemplifies the fight for justice. The Emmy-nominated journalist pulled up to the Ajah, Lagos protests on a Mack truck while leading a call-and-response.

This is the kind of shot you show your kids.

1.) Aisha Yesufu A.K.A statue of #EndSARS

EndSARS - Iconic Shots. [Twitter]EndSARS – Iconic Shots. [Twitter]

EndSARS - Iconic Shots. [Twitter]EndSARS – Iconic Shots. [Twitter]

Nigerian thespian Lala Akindoju is the cover star for TW Magazine‘s September 2020 Issue.

On their Instagram they shared:

New Cover Alert!!!🙌🏾

To get you ripe & ready for episode 2 of @thesmartmoneywomantv 💵 (airing Episode 2 on @africamagic showcase Ch. 151 at 9 PM … reruns on Sunday 6pm!) we have a juicy cover for you!

@lalaakindoju is TSMW’s ‘Adesuwa’ as she graces our Special Issue for September 2020!

We dive into her role, wearing the hats of Actress & Producer on the project and being ready for more! We also have some pretty Smart Money Saving Tips from @smartmoneyarese herself and more!!!😍

The full magazine is available at www.twmagazine.net

Credits

Look 1: Floral Dress, Moofa Designs @moofadesigns

Look 2: Floral Suit, Wild Kulture @wildkulture

Look 3: Yellow Gold Playsuit, Moofa Designs @moofadesigns

Look 4: Pink Tulle Dress, 3and4Fashion @3and4fashion via @experiencezazaii

Photography:  @emmanueloyeleke

Hair @hairbybeesroots.

Makeup @prospottedmakeover

Hair Styled: @vaavavoom .

The President of the United States of America, Donald Trump announced that he and his wife, Melania both tested positive for the coronavirus.

This is coming months into a global pandemic and in the final stretch of his re-election campaign.

At 74 years old, Trump falls into the highest risk category for serious complications from the disease, which has killed more than 200,000 Americans and more than 1 million people worldwide. His infection with the disease could prove to destabilize in an already fraught political climate, and stock market futures tumbled on news of Trump’s infection.

“Tonight, @FLOTUS and I tested positive for COVID-19. We will begin our quarantine and recovery process immediately. We will get through this TOGETHER!” Trump tweeted shortly before 1 a.m. Friday. Later, the first lady wrote on Twitter that she and her husband were “feeling good.”

 

 

In a memo seen by CNN, the President’s physician, Sean Conley wrote that he received confirmation of the positive tests on Thursday evening.

The President and First Lady are both well at this time, and they plan to remain at home within the White House during their convalescence. The White House medical team and I will maintain a vigilant watch, and I appreciate the support provided by some of our country’s greatest medical professionals and institutions.

Rest assured I expect the President to continue carrying out his duties without disruption while recovering, and I will keep you updated on any further developments.

The President had said late Thursday night that he planned to quarantine after one of his closest aides, Hope Hicks, tested positive for the infection, bringing the disease into his innermost circle.

Expand Press has announced the publication of Onyeka Onwenu‘s memoir, My Father’s Daughter. The autobiography, set to be released on October 1, 2020, is a deeply personal account of the life of the iconic musician.

My Father’s Daughter chronicles Onwenu’s life as a musician, activist, wife, mother, and politician. In the autobiography, Onwenu’s formative contact with feminism and how her father’s life heavily influenced her decision to join politics is deftly explored.

Onwenu’s political philosophy cannot be divorced from the exemplary foundation laid by her father, Dixon Kanu (DK) Onwenu, who cared deeply about the development of Nigeria when politics was not a means to amass wealth. Through Onwenu’s lens, the communal lifestyle of the Igbos, as well as how family core values are intricately woven into personal ethics, are fully displayed.

Onwenu’s patriotism and love for Nigeria is quite palpable throughout the book. Little wonder that My Father’s Daughter will be officially released to coincide with the 60th year Independence Day celebration of the country.

She also reminisces on how the Nigerian Civil War of 1967 – 1970 scalded her teenage experience. The debilitating effects of the Biafran war, and how the family remained bound amidst the chaos are themes that Onwenu serves up in her book. The fragmentation, alienation, and displacement that permeated the Igbo community after the war were also delved into by Onwenu. From her experience of the war as a young woman, the paranoia deeply planted by the effects of the conflict is captured.

The one-time Television journalist documents her years in America, the culture clash, and the inevitable conflicts that are the products of being a migrant. She shares her experience of being sexually harassed in a workplace and how her decision to leave got her a job at the UN. There she crossed paths with a diplomat who encouraged her to drive social change in Nigeria.

The memoir covers her media experience. She talks about going back to post-war Nigeria, being confronted by the failing political system, and her tilt towards politics to fulfill her father’s legacy. She equally documents the challenges she faced as a politician. She uncovers the failing state of Nigerian politics, and it is surprising how some of the difficulties faced after independence are still prevalent in the current political clime of the country.

Onwenu also unravels how power corruption is not only restricted to the political system. She traces the foundational challenges faced by the Nigerian political system from the military era down to democracy.

Onwenu also explores her contribution to the budding Nigerian music industry of the 1980s. The reader is regaled with stories, the behind the scene happenings in the Nigerian Entertainment industry. She also exposes the exploitation of musicians by industry leaders and practitioners – an issue that still ravages artistes’ relationships with major industry partners in contemporary Nigeria. Artistes’ rivalry is also discussed by Onwenu and how unhealthy competitions led to numerous cracks. Her transition from a musician to an actor is also chronicled as well.

Onyeka Onwenu discusses her private life. On the marriage front, she explores the challenges women face and how she refused to shrink herself to accommodate anyone’s insecurities about her fame.

My Father’s Daughter is a memoir every young person must-read. Women, especially, will glean numerous lessons from her life experience since successful women in Nigeria rarely share their stories in a candid and vulnerable manner.

Onwenu’s life choices and her ability to transcend society’s playbook of how a woman should live serves as a learning curve for young women who are not afraid to chart their course. From her marital experience and her constant refusal to discuss her personal life, Onwenu shows that a woman’s worth is not predicated on her attachment to a man. Her blunt refusal to be seen as the weaker counterpart is rare in her generation, and in the lines of her book lies vital lessons young people can draw from.

Onwenu’s memoir is available for pre-order on Rovingheights website.

Kimora Lee Simmons and her two daughters, Ming and Aoki, are collaborating with HatchBeauty Brands to create a Baby Phat Beauty makeup line, according to The Daily News.

“I think it’s very important that right now—in this time of Black Lives Matter, that could be Brown lives matter…to be a young woman, certainly for Ming and Aoki, and for myself, to be a woman, a woman of color—to have your own brand,” Simmons tells Women’s Wear Daily.

Simmons surprised the fashion world by relaunching and revamping the streetwear brand and dropped a surprise on BabyPhat.com late last year in December.

At that time she stated, “When I created Baby Phat 20 years ago, it was because women—especially women of color—had no voice at all in the streetwear category,” Simmons tells Yahoo. “It’s in our DNA that this brand is created for women, by women—which was rare then and still is today once you really look closely at who truly owns and controls many womenswear brands on the market.”

The makeup line is launching a three-piece kit featuring a lip gloss, body lotion, and scented, shimmery body spray, which is retailing for $45 each. Three different versions of the products, reflecting the personalities of each woman, are also for sale.

“Divine is mine, obviously,” Simmons said. “Opulence is Ming, and Ethereal is Aoki, because she’s a free spirit. We are excited to dive into the beauty space with a unique multigenerational perspective.”

A portion of proceeds from sales of Baby Phat Beauty will be donated to Fair Fight, an organization working to promote fair elections, educate on election reform, and fight voter suppression.

Vogue.com has a new editor— Chioma Nnadi, replacing Stuart Emmrich, who announced his departure in June.

In her new role, Chioma will oversee all of Vogue’s digital content.

The fashion journalist and editor has made a tremendous impact in the fashion industry especially in recent times where she has been a powerful and notable voice in the fight for inclusivity and diversity within the industry.⁠

She started her career at the features desk of the Evening Standard Magazine in London, before moving to New York to write for Trace, an independent style magazine. She then went on to work as the Style Director at Fader and landed at Vogue as a fashion writer in 2010. Nnadi was named Fashion News Director in 2014 and has stayed in that position up until her newly announced promotion.

She studied English and French Literature at Manchester University.

In a statement, Chioma Nnadi said:

In these unprecedented times, it feels especially urgent and exciting to be telling stories. And now the touchpoints through which we communicate are more expansive than ever. Vogue has first and foremost been a place of discovery and I think in this moment it feels especially important to amplify the new voices in fashion and culture who are changing the zeitgeist.

“I am so thrilled that Chioma will be the new editor of Vogue.com,” said Anna Wintour, the editor-in-chief of Vogue and the artistic director of Condé Nast, said in an official release according to WWD. “Above all, we know her as someone who intuitively understands fashion and brings to it a genuine love of discovery. She looks in unexpected places and all over the world to find out who is doing the best work and who we should be celebrating now. I absolutely rely on her eye and her cosmopolitanism and her taste. Even better, she is forward-looking and understands that Vogue needs to reach new audiences and do so in new ways.”

 

Photo Creditnnadibynature

In this Observer Magazine, cover shoot TV girl, producer and all-around creative Issa Rae is lauded as the golden girl, who started as a comedy outsider, now she’s Hollywood’s hardest-working star. The Emmy-nominated and Golden Globe-nominated actress speak to Observer Magazine about her upcoming HBO film “Coastal Elites“, being the booked and busiest, the importance of legacy and more.

Her hit HBO show, “Insecure”, has indeed transformed her into the patron saint of black millennial creatives.

In the magazine, she shared how story growing up in Senegal and LA. Being “too black for white kids, too white for black kids”.

She grew up middle class, her father a Senegalese paediatric doctor and her mother a teacher. In childhood, her family moved a great deal, first to the primarily white suburb of Potomac, Maryland, then to Senegal, until they finally settled in LA. Issa was in the sixth grade then – an 11 year old. She was one of the only black girls in her elementary school in Potomac and then the only American girl in her elementary school in Senegal. She struggled to belong in each setting. When she started at a school in LA, attended by predominantly black and Latino students, she found herself the subject of the ballad of many black middle-class teens – “too black for white kids, too white for black kids”. When Tupac died in 1996, she attempted to find common ground with her mourning classmates and mispronounced his name, becoming a social pariah in the process.

Read some excerpts from her cover feature below:

On “Insecure”.

“It is a compliment and a burden that people take so much ownership over the show,” Rae says, “because there aren’t a lot of shows about us, so people feel like you have to tell all the stories that can be told, and if you don’t you’re failing us.”

On how sharing a name and face with her character on “Insecure”, has made privacy a priority.

“People have a lot of shit to say and I just don’t want it to be about me, unless it’s talking about my work,” she says. “People fill in the blanks about my own life because of the characters’ choices, but I’m fine with that. As long as it’s not my real shit and it’s wrong then talk away!”

On the upcoming film “Coastal Elites”.

“I actually had never heard the term ‘coastal elite’ until this movie so I’m just like, “What does this mean? Oh OK, it’s me.” Rae and her character, Callie, both live in LA, and they’re both “outraged by the current administration”.

“You see so much of the concentrated fuckery of this current president in one place,” she says. “Hopefully you’ll watch the movie and say, ‘This is not normal. I should be upset, I should be outraged.’ Satire or not, we’re living in this and to accept this is to be part of our own destruction.”

“Do I get burned out? Hell yeah!” she exclaims. “That was why I took a break last year because I didn’t really think about how to do everything and do everything well. But it’s not just me – I get a lot of credit, but I work with really great people.”

On the complicated diversity within Hollywood.

“It’s just another way to divide us, unfortunately,” she sighs. “Seeing Daniel Kaluuya in that Fred Hampton trailer, I was like, go the fuck ahead! You transformed, you’re an actor! Sometimes I’m pleasantly surprised when I’m watching white shit and I’m like, ‘Oh! The bitch is Australian? That’s so dope! I would have never known.’”

On her legacy.

“As far as legacy is concerned, I have so much to do,” she says. “And I’m fine with that, but it definitely keeps me up at night. My feet aren’t firmly planted just yet. I’m still walking, I’m still paying my dues, in a way that I’m not mad at. I want to earn being here.”

Read the full feature at the Observer Magazine

Credits:

Photographs: @daniellelevitt
Styling: @jasonrembert
Hair: @lovingyourhair
Makeup: @joannasimkin

For the first time, married women in Botswana will now be able to own lands independent of their husbands, following a new amendment to the 2015 Land Policy which prevented married women, widows and orphans from inheriting land or acquiring new land entirely.

President Mokgweetsi Masisi shared the news on Twitter and started off by saying that he was fulfilling the commitment he made during Botswana’s Democratic Party campaigns last year.

The Botswana Land Policy of 2015 was discriminatory against married women. Section 72 (iii) stated that since only one spouse can apply for a plot, the surviving spouse must as a right inherit their land allocations.

This clause did not give married women equal treatment with men and I am happy to report that this discriminatory subsection has since been repealed.

 

 

Historically, land that belonged to husbands followed patriarchal traditions of inheritance. A World Bank research shows in 40% of countries, women encounter a host of obstacles owning land, be it through skewed inheritance rights or restricted authority over assets.

This new policy will protect widows and orphans who may be the head of their households.

The Revised Botswana Land Policy of 2019 now gives married women the right to apply for land.

It reads thus:

“Each Motswana will be eligible for allocation of one residential plot at an area of their choice within the country, on both state land and tribal land. ”

Section 72 also of the Botswana Land Policy 2015 recognises that there are instances where some widows and orphans are compelled to head households and find themselves in an urgent need of land for residential purposes as a result of being denied access to their deceased husband’s or parents’ property.

However, the rights of these are protected in the law and Policy and encourage Local and Land Authorities as well as Non-Governmental Organisations to step up campaigns to educate women and orphans about their legally protected rights and offer them legal support to successfully claim their legitimate land right.

 

 

In 2015, the African Union addressed gender inequality as it pertains to land rights and stipulated that women should be allocated 30 per cent of land across Africa. However, even this meagre percentage has yet to be achieved. Zambia, Ethiopia and Uganda are a few of many African countries where land rights are still not afforded to married women.

Tsitsi Dangarembga and Maaza Mengiste have been shortlisted for the Booker Prize for fiction this year.

Zimbabwean novelist Tsitsi Dangarembga and Ethiopian-American author Maaza Mengiste’s two novels “This Mournable Body” and “The Shadow King” respectively, made it to the longlist among 13 contenders, which were selected from 162 novels by a panel of five judges. Now, they have also been shortlisted for the prize.

“The Shadow King is on #TheBookerPrize Shortlist!!!!!!!!!!!! I don’t know what to say. OH MY GOD! Elelelelelelelelelele” Mengiste shared on Twitter after finding out the news. 

 

The Booker Prize for fiction is a literary prize awarded each year for the best original novel written in English and published in the United Kingdom.

The Booker prize, has been won by three Africans, Nadine Gordimer, Ben Okri, and J. M. Coetzee. Africans who have been shortlisted are Marie NDiaye, Noviolet Bulawayo, Chigozie Obioma and Oyinkan Braithwaite. 

The winner of the 2020 Booker Prize receives £50,000 and can expect international recognition. The shortlisted authors each receive £2,500 and a specially bound edition of their book.

Dangarembga and Mengiste are the only two writers from Africa on the list of 6 authors. Other shortlisted authors include:

  • The New Wilderness” by Diane Cook
  • Burnt Sugar” by Avni Doshi 
  • Shuggie Bain” by Douglas Stuart
  • Real Life” by Brandon Taylor

Watch the shortlist announcement: