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Canada’s film industry is a vibrant and diverse landscape, rich with stories that reflect the country’s multicultural essence. Among the many voices shaping this narrative, Black women filmmakers are emerging as powerful forces, bringing unique perspectives and groundbreaking stories to the forefront. Their contributions are not only enriching the Canadian cinematic scene but also fostering a deeper understanding of Black experiences and narratives.

A Rising Influence

In recent years, Black women filmmakers in Canada have gained increasing recognition for their creativity and dedication. These trailblazers are challenging conventional storytelling, breaking barriers, and creating spaces for underrepresented voices. Their work spans various genres, from documentaries and drama to experimental films, each adding a distinct layer to the Canadian film industry.

Here are some key figures and their impact;

Ella Cooper

Ella Cooper, Executive Director and Founder, Black Women Film! Canada | Photo: Blackwomenfilm.ca

Ella is an award-winning filmmaker, impact producer, multimedia artist, and the Executive Director and founder of Black Women Film! Canada. With over 19 years of experience in Canada’s arts and culture sector, she is a seasoned creative facilitator, arts educator, and community programmer. Her work has been showcased in galleries and festivals across Toronto, Vancouver, Berlin, and Calgary.

Supported by Canada and Ontario arts councils, Ella holds a Master’s in Media Arts Education and a Bachelor of Fine Arts in New Media. She was a 2019 nominee for the Mayor’s Arts Award in Cultural Leadership and a 2020 recipient of Tiffany’s Hometown Hero Award. She is currently developing a BIPOC children’s series for CBC Kids.

Tonya Williams

 

 

Tonya Williams is an award-winning actress and advocate with British, Canadian, and American citizenship. Born in London, she moved to Canada in 1970, where her passion for the arts blossomed. After early success in Toronto’s film and TV industry, she moved to Los Angeles and starred as Olivia on The Young and The Restless from 1990 to 2011. In 2001, she founded Reelworld Film Festival, dedicated to supporting racially diverse and Indigenous filmmakers in Canada. Today, Tonya continues to act while focusing on empowering emerging talent through her festival.

Patricia Bebia Mawa

Patricia Bebia Mawa
Patricia Bebia Mawa, President & CEO, Diamond Trust Media

Patricia Bebia Mawa is a prominent figure in the Canadian film industry, celebrated for her impactful work as both a filmmaker and television producer. Known for her insightful and poignant storytelling, Mawa’s films often explore themes of cultural identity, gender, and social justice. Her notable work, including the acclaimed documentary series “Voices of the Diaspora,” sheds light on the experiences of African and Caribbean communities in Canada. Patricia’s commitment to amplifying underrepresented voices and her innovative approach to film have established her as a key player in Canadian cinema. Additionally, she is the producer, director, and writer of the soon-to-be-released psychological thriller, The Life Coach, which promises to further showcase her talent and creative vision.

Tara Lynn Taylor

Black Women Filmmakers in Canada
Tara Lynn Taylor | Photo: blacktheatreworkshop.ca

Tara Lynn Taylor is the co-founder and festival director of The Emerging Lens Film Festival. A filmmaker, playwright, actress, and multidisciplinary artist, she has worked in the film industry for 19 years in various roles. Tara also serves as vice-chair and Diversity & Inclusion lead for the Link Performing Arts Society, and sits on the boards of Centre for Art Tapes, Screen Nova Scotia, and the Bus Stop Theatre. She has produced and starred in musicals like “Dreamgirls” and “The Color Purple,” and is currently developing new works, including “Hood Habits” and “Love, Peace and Hairgrease.”

Nauzanin Knight

Nauzanin Knight | Photo: Indb.com

Nauzanin Knight is a Canadian filmmaker of Caribbean and Middle Eastern descent whose work reflects her unique heritage and global experiences. With a background in creative writing and an MSc in countering organized crime and terrorism, she focuses on stories about individuals facing extreme circumstances. Her non-fiction book, State Terrorism in Iran, explores persecution faced by Iranian Bahá’ís, and her screenwriting has earned international recognition. As executive producer at 1844 Studios, Nauzanin fosters global artistic collaborations and shares stories that highlight universal human emotions.

Suza Singh

Suza Singh | Photo: Jager and Kokemor Photography

Suza Singh is an award-winning filmmaker, director, and multi-talented artist. Originally from Manchester, UK, she relocated to Calgary 15 years ago and has gained recognition for her latest film, Honorable Sins. The film has garnered awards at international film festivals, including Best Ensemble and Best Female Director. Alongside her filmmaking, Suza is passionate about oil painting, music composition, and acting. With a deep appreciation for Calgary’s vibrant community and landscape, she continues to make an impact in Alberta’s growing film industry.

Katia Café-Fébrissy
Black Women Filmmakers in Canada
Katia Café-Fébrissy | Photo: Imdb.com

Katia Café-Fébrissy is a versatile bilingual filmmaker and storyteller known for her work across documentaries, narrative shorts, web series, and music videos. She has a talent for making non-actors comfortable on camera, helping them share their authentic stories. Her notable films include Root Up (2017), Moun an ba la: French Caribbean Diaspora in Toronto (2022), and Creole Butterfly. Katia’s passion for exploring diverse human experiences shines through her captivating and thought-provoking projects.

Kathryn Fasegha
Black Women Filmmakers in Canada
Kathryn Fasegha | Phot: Cinefam.ca

Kathryn Fasegha is an award-winning filmmaker based in Calgary, Alberta. Her debut feature, Treacherous Heart, premiered in 2012 and won “Best Drama in Diaspora” at the Nollywood and African Film Critics’ Awards. Her second film, 2 Weeks in Lagos, premiered at Cannes in 2019, screened at several international festivals, and debuted on Netflix in 2021, earning an AMAA nomination. Kathryn, a Theatre Arts graduate, is also active in drama evangelism and holds leadership roles with African Women Acting (AWA) and the Black Actors and Film Guild Canada.

Cherene Francis
Black Women Filmmakers in Canada
Cherene Francis | Photo: cherenefrancis.mykajabi.com

Cherene Francis is a multi-talented actress, writer, producer, and entrepreneur known for her work in film, TV, and digital media. As the producer of the talk show LEAP!, she has showcased high-profile entrepreneurs and leaders. With expertise in branding and digital marketing, she helps businesses tell powerful stories. Cherene’s storytelling delves into cultural, psychological, and spiritual themes, earning her acclaim. A committed professional with a diverse background, she balances her career and family life with grace.

Lanette Ware-Bushfield
Black Women Filmmakers in Canada
Lanette Ware-Bushfield

Lanette Ware-Bushfield is a versatile actor and producer based in New York. A London Academy and NY Theater Academy graduate with a BA in Drama, she also studied Cinematic Language at The Toronto Film School. Lanette’s early career began with a commercial at age three, and she trained in piano and violin from a young age. As CEO of A WWB Production, Inc., she focuses on projects that spotlight underrepresented communities. Her credits include MGM’s Flint Strong and Netflix’s The Madness. A published writer and certified Spanish teacher, Lanette has also taught public speaking and drama in multiple cities.

Vicky Plancher

Vicky Plancher has over 20 years of experience in the film industry. Starting as a production assistant, she worked across various departments, including locations, AD, and office roles, to gain a well-rounded understanding of film production. In 2022, she joined The Flash as an assistant production coordinator to deepen her administrative skills. Vicky founded Mare Rouge Entertainment in 2007 to uplift Black voices in Canada and foster a Haitian film industry. She recently produced A Digital Hogan’s Alley for CBC Creators’ Network, currently screening at CineFam Film Festival

The Role of Supportive Organizations

Organizations like Black Women Film play a crucial role in supporting and amplifying the voices of Black women filmmakers in Canada. By creating directories and platforms specifically for Black women in film, these organizations help to showcase their work and provide vital networking opportunities. Black Women Film, in particular, has been instrumental in highlighting the achievements of Black women in the industry, ensuring that their stories and contributions receive the recognition they deserve.

These initiatives not only celebrate the achievements of Black women filmmakers but also address the systemic challenges they face. By fostering a supportive community and providing resources, these organizations help to level the playing field and create more opportunities for emerging and established filmmakers alike.

Challenges and Triumphs

Despite their significant contributions, Black women filmmakers in Canada often face challenges such as limited access to funding, underrepresentation in industry decision-making roles, and the need to navigate systemic barriers. However, their resilience and determination continue to drive their success. Organizations like Black Women Film and various mentorship programs are working to address these issues by providing support and creating opportunities for Black women in the film industry.

The contributions of Black women filmmakers in Canada are both profound and transformative. Through their innovative storytelling and dedication to social issues, they are reshaping the cinematic landscape and providing new perspectives on the Black experience. As the industry continues to evolve, it is essential to support and celebrate these trailblazers, ensuring that their voices and stories remain at the forefront of Canadian cinema.

Genevieve Nnaji sat down with Women and Hollywood prior to the premiere of her directorial debut “Lionheart” at the 2018 Toronto International Film Festival (TIFF) to discuss the inspiration behind the movie, challenges she faced and her inspiration for going into filmmaking.

The star actress and filmmaker described “Lionheart” as “an inspiring drama about family values, succession, and most importantly, female empowerment. It highlights the various challenges faced by women, particularly in male-dominated industries.”

On what drew her to the story, Genevieve said: “The message and the environment which forces a heroine to shoulder the load. Questions of succession, gender roles, and traditional versus modern ideals surround the story. Plus, that it was rooted in African culture which made it even more fascinating. So, drawing inspiration from a close friend and family run businesses in Nigeria, “Lionheart” was created.”

Genevieve told Women and Hollywood she “wants people to reflect on the endless possibilities of growth and success that come with men and women, the old and the young, working together: a world where insecurities are tackled and equality is encouraged,” after seeing the movie.

“We need to be more open and accepting of competition instead of feeling threatened by it,” she added.
Her biggest challenge making the film will be “playing both roles of director and lead actor,” she says. “Fortunately, I was surrounded by a very efficient and effective crew. With their help, plus adrenaline and sheer determination, we were able to make a movie,” she added.

When asked about what inspired her become a filmmaker, she said:
I’ve always had a hunger for visual storytelling. There is so much material out there that is still untold — countless real-life stories from within and outside Africa, and today, we have the chance to tell it ourselves. My hope is that Africans will have adequate representation globally, and be given a seat at the table in big studio productions as we continue to grow and improve from within the continent.
I also believe that my generation of women need to continue to work at paving a path better than the one that exists today for the future generation of women in film.

Credit:Bellanaija